Thursday, November 28, 2019

Why Metal Yoga?

 


Why Metal Yoga?
by Matthew Clark who leads a yearly Metal Yoga class on the Winter Solstice.

A yoga class in the Western world, or at least in America, is often accompanied by a playlist or soundtrack.  Obviously, that wasn't the way of traditional yoga in India.  I believe that some very wise yogis specifically brought yoga to America, knowing the massive cultural influence of this country and used that influence to broadcast the benefits of yoga globally.  In the 1920's, Parahamsa Yogananda established the headquarters of his Self Realization Fellowship approximately 2 miles away from our studio.  His famous book Autobiography of A Yogi, used parallels of Christianity with yogic concepts and philosophy and was successful in initiating many Americans into these new ideas.  Decades later, Ram Dass penned his classic Be Here Now, which was meant to explain yogic concepts through the lens of the American hippy experience.  It always struck me as a book written by his Guru, through him, to best spread the message, using unconventional typesetting and drawings to connect to a new audience.  My point is that yoga, in coming to the West, was always bound to shift and change and cater to an experience that would resonate with a Westerner.  This brings us back to the topic of playlists.  There are definitely very traditional American studios and institutions that would never use a playlist. For those of us that do use music, it's become somewhat of an expectation, something to keep a pace and a helpful tool to establish a baseline of sound to make a passing ambulance siren or loud talker on the street strolling by less jolting.  We don't live in a bubble.  In my playlists, I try to use mostly songs that wouldn't be distracting or emotionally charged and songs that won't alienate most people.  Listening to a pop song or a Kirtan with a house beat could be blissful to one yogi and agonizing to another.  Conversely, listening to a metal song during practice could be ecstatic for one student and could drive another yogi crazy.  Enjoyment of music is completely subjective.  The point of doing our annual Metal Yoga practice is that it is an experience where, for those who would enjoy it, we use a very different sort of music, one which the attendees have signed off on and are excited to practice with.  My playlist will consists mostly of Doom and Stoner metal tracks, specific styles that I find are at a good tempo and have kind of a raga like quality, they float and meander and shred at times.  Bands such as Black Sabbath, Om, Sleep, Earth, Flower Traveling Band are usually featured as well as some heavy space rock sounds from the likes of Hawkwind and other spacey musical explorers.  This music I find to be powerful and cathartic, both being important elements of a yoga practice.  Aligning with the Winter Solstice has become a tradition for this class. The longest night of the year seems an apt time to embrace these sounds and delve into a powerful cathartic practice which leaves us feeling lighter and uplifted heading into the New Year.

Join Matthew Saturday December 21 at 6pm for this special class.


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Friday, November 20, 2015

Creating Connection at Your Table

As human beings, we are constantly in search of connection. We want to connect with each other, and we want to connect on a deep level with something great inside of us and around us. An essential element of a yoga studio is facilitating an environment where connection is possible. It is no surprise, then, that a yoga studio owner has some inside knowledge of how to connect people through a simple dinner. Here are some tips from Vanda's table, where our teachers meet annually for a Thanksgiving Dinner.

  1. Less fuss and more fun. Keeping things simple is one way to make everyone feel comfortable. Rather than creating a 'formal' environment for our dinner, Vanda set a rustic table outside, lit by dozens of tiny lights and heated by a space heater and fire. The mismatched plates and chairs felt chic and intentional
  2. Let your guests participate. Playing host is fun, but most people love the chance to showcase their own contributions to a party. As your guests to contribute a side dish, dessert or bottle of wine (or non-alcoholic wine in the case of so many of our yoga teachers!). Allow your guests to share food with each other, and if they are not inspired to share food, guests can always contribute a playlist, some flowers for place settings or help wash the dishes. You may have heard it's bad form to allow your fiends to wash dishes at your house, but it's actually an intimate invitation to allow them to take a lead role even when in your home. So, when you're planning a party and someone asks to help, take them up on the offer!
  3. Plan one simple, shared activity. We've all been to those baby showers with game, game, game. Those parties feel like more work than simple connection, but it's also nice to make sure all your guests come together for at least one special activity. It can be a simple toast, photo slideshow, meditation or - in our tradition - a gratitude circle. As we share our gratitude for each other and our community, we immediately feel connected.
  4. Skip the "decorations" that will end up in a landfill and opt for simple additions to your table. Decorate your table with fallen branches or cut flowers from your yard. Opt for candles or colorful water jugs to add ambience. If you are going to purchase decorations, try to keep them simple enough that you can use them again and again. Our table was set with LED candles (buy them once and reuse them forever), jars of lavender, a simple burlap runner and rings of moss.
  5. Do you know Doodle.com? If you are planning an intimate dinner with less than 20 people, use this site to help pick a date. This is not feasible for larger groups, but it simplifies the planning process for smaller groups.
  6. Nothing is more important than good lighting and great music. 
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Friday, October 23, 2015

The Sound That Makes the Bath

Namaste Highland Park Instructor Sondra Sun-Odeon collaborated this summer with musician and recent LA transplant Ian Paige for a yoga class with soundbath accompaniment. The second in the series celebrates the full Hunter Moon and takes place at the studio October 27th at 8pm. The two musicians and yoga enthusiasts sat down for a conversation about how the two worlds intersect.





Sondra Sun-Odeon: I wanted to have you be part of the classes and, with the Full Moon Yin Class, the sonic component helped move the subtle body. Being a musician myself, I've always been interested in sound healing and its power so I'm glad you can join me for the Full Moon Flow and Restore with Sound Bath. Why does this collaboration appeal to you?

Ian Paige: When you invited me to the Yin class, I made sure to attend as a class member before actually performing. The pace and intentionality of that program reminded me of the kind of music I gravitate to. Holding the poses and settling the mind through that slower pace felt like the yoga equivalent to the music I love to make.

I also like that it is live. I'm bringing sequences and predetermined stuff to the set but really i'm working completely off the audience which, unlike a regular concert when you're blinded by the stage lights, it's an interactive situation to feel the audience participation in this really intense way. You can literally hear breath and it becomes the rhythm! So the music itself changes. What i had imagined for that class didn't happen at all. Instead it rolled along with the program itself and they spoke to each other.

SSO: Well you may find in this next class we'll have more movement since it will be both flow and restorative. It'll be interesting to see how you react to the energy of the class differently from the last one.

IP: So what's your intention with the class?

SSO: The Flow and Restore that I usually teach is 45 min of Flow followed by half an hour of Restorative. Since it's the Full Moon though I think we'll go more half and half and it'll be a more gentle flow.

IP: Yeah, that's good for me to know that there's an entrainment for that first half that's a little less droney.

SSO: Does that change things for you? You shouldn't be stressed! You look stressed!

IP: Ha! No, I'm glad we're having this conversation! I literally haven't started planning it yet! No it's cool to know so I can make some preparations for that ... the dynamics ...

SSO: Tell us about the instruments you use in creating these sound baths and what you hope to do for the experience of the listener and yogi participant.

IP: The synths are analog. Digital synthesis is ubiquitous right now and that's a-okay but for this particular scenario, it's like vinyl versus mp3. The waves are deep and real. They hit your eardrums and move through your body in a different way. I use a Roland Juno 60, a Sequential Circuits Six Trak and an old Nord Modular which is admittedly digital but it requires patching voices on a computer (I had to resurrect my 13 year old PowerBook to talk to it because Nord won't support the synth anymore) and I love the flexibility that instrument allows in building sounds and sequences from scratch.

SSO: What artists are informing and influencing the kind of music you make?

IP: I'm into music that creates states. States of being and mind. Psychedelia, less as a genre and more as an approach, has always been important to me. The first LP I ever nabbed out of a bin was Stereolab's  Emperor Tomato Ketchup. I'm thinking of it now because there are elements from the last album from the YIN class that remind me subtly of Stereolab. I dunno, maybe there was a sixteen year old kid a generation before me where it was an ELO or Floyd record or something. For me that band was my entry point. Then of course the decades go by and you trace out all of the branches of the family tree and what I'm looking towards now is more focused and rarified. Anywhere from Terry Riley to Robbie Basho, not that I purport to be anywhere at that level musically, I just feel the spirit of it. JD Emmanuel has become very important to me as a touchstone. Suddenly a lot of these New Age dudes don't sound so cheesy.

SSO: Like Vangelis and all that?

IP: Weeeeeell, he has more than a few moments of being cheesy but there are gems! I guess for me, as an untrained musician, I come at it caring more about the witchier aspects, the incantatory aspects of making music? Is that a word? Does that make sense? I'm from Maine; we're weird woodsy folk. Lots of pagan vibes so I'm less about techno futurism and more about the the more ancient aspects of music as transformation. Ooooh, here's an example. Kraftwerk is another touchstone and they're mostly known for their hyper futurist tropes like in their hit "Pocket Calculator". That album "Computer World" is total genius but my favorite albums from them are right at the moment where they're straddling this transition from psychedelic band with traditional instrumentation into the super synthey group they became famous for. "Ralf and Florian" and "Autobahn" show that beautifully uncomfortable transition. That parallels with the yoga practice. It's not supposed to hurt but you are supposed to be pushing your boundaries to arrive at your destination.



Sondra is a musician and yoga teacher. She will blend her artistic ear for music with her careful eye for energy in this special class to create an irresistible environment.

Ian's latest album, recorded live at Namaste Highland Park, is called YIN I and is available at his band camp site here.

All attendees of the Full Moon Flow and Restore class will receive a free download of the album. The latest video from the album can be seen here.


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Thursday, February 12, 2015

What Makes a Good Yoga Playlist?

    by teacher Chris Reed

    The answer to this question is as varied as the many styles of yoga itself. Some may say that the best soundtrack to any yoga practice is just the breath. And to an extent I do agree. However, the use of music can help deepen the experience or help a teacher touch on a lesson through the many range of emotions that music can make us, as humans, experience. I personally have used music to help deepen my teachings by using key tracks at critical times within a class. 




    For me, the process for building a new playlist beings with what teaching I’m looking to focus on (i.e. patience, letting go, love, growth, etc). Sometimes things such as the changing of seasons or a waning or waxing moon can help influence the selection process as well. And so beings the searching process for the perfect songs to build the perfect playlist.

    Like most things there’s almost a formula for the building process, for example I generally try not to have loud or upbeat music until later in the sequence. Teaching vinyasa style yoga, you want each breath to be linked with a movement. I’ve found that if I’m playing more upbeat music during sun salutes it causes students to move the breath quicker which in turn speeds the entire class up.


    So first thing is first, some mellow yet building tracks for sun salutes. Then during standing and balancing I find you can throw some more upbeat tracks in. Sometimes, if a track causes students to want to dance or move within the standing sequences I will often encourage it. One of the main things with yoga to me is, IF YOU’RE NOT HAVING FUN PRACTICING, CHANCES ARE YOU ARE DOING SOMETHING WRONG. So now we’re done with standing and balance and chances are we are going to work our way down to our bellies for some back bending but first we might try an arm balance or inversion. Its quite fun to play something about being upside-down at this time or even something light hearted to take some of the seriousness out of room. Let’s face it, we are all here practicing yoga and yes at the core we are all searching for enlightenment, no need for our egos to ruin our path towards that by not being able to laugh a little. Embrace the inner child and have a good laugh. After all the laughter and a much needed childs pose it’s time to wind down the energy and our bodies so the music follows. Much like the beginning of class only opposite. I try and find tracks that begin to mellow out to lead towards an ultimate dreamy and enjoyable savasana. Mostly for final relaxation I use the MOST mellow track on the list, one that’s sure to deliver peace and quiet within the body, mind, and breath (little to no lyrics/mostly soundscape/dreamlike). So there you have it, the types of songs and length of the list will vary from teacher to teacher and even from class to class, sometimes I break away from this formula for holidays or just to change things up and have a completely different experience (motown vinyasa, punk rock asana, new wave halloween) however I’ve found this is generally what works best for me.

    Here’s my Valentine’s Day playlist.

    Air - Space Maker
    Bit Funk - The Long Road Ahead
    AlunaGeorge - Your Drums, Your Love
    The Rapture - In the Grace of Your Love (pional remix)
    Giraffage - music sounds better with you
    The High Wire - leave me in love
    Silver Swans - Sean of Love (Grant Cutler Remix)
    Daft Punk - the game of love
    Art of Noise - moments in love
    Tora - Calming Her
    David Newman - Love Belongs to Everyone (Krishna Venkatesh Deep Dub Remix)
    DJ Shadow - I’ve been trying
    Cat Power - Metal Heart
    Black Sabbath - planet caravan
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